Back in 2023, I was presented with an exciting new project. The local branch of the International Organization for Migration (IOM) in Brașov approached me about an exhibit titled “Migrant Portrait.” The concept was to capture the lives and stories of migrants from outside the EU who had made Brașov, Romania their home. As a photographer, I’ve always been drawn to portraits, but this wasn’t just another assignment—it was an opportunity to peel back the layers of human experience, to see beyond the label of “migrant” and into the vibrant, intricate lives behind it.
The project was an immediate “yes” for me. From the first meeting, I knew this wasn’t just about photography—it was about people, their journeys, their struggles, and triumphs. Meeting and working with individuals from Algeria, Peru, Ecuador, Mexico, Kenya, Ukraine, the Dominican Republic, and more was a fascinating experiences. I interacted with every person differently, letting their individuality guide the process. Some were reserved, others expressive, but each had a unique aura that I sought to capture. I found myself discovering not only their lives but, unexpectedly, my own culture and country through their eyes.
The exhibit debuted at the Katya Hub in Brașov. The opening night was very lovely, with conversations flowing between viewers, each deeply immersed in the narratives the photos told. I was glad to have present journalists representing the written press, radio and TV and to give interviews for them. There were also some pretty good sweets!
But the project didn’t end there. The Katya Hub kept it as a permanent installation on their walls, for which I am very grateful. Knowing that “Portret de migrant” will continue to live on, inspiring new conversations about migration, identity, and empathy, is something I’m incredibly proud of.
Through this project, I rediscovered the power of art to bridge divides. As I stood in front of those photographs, seeing people reflect on the stories embedded in each portrait, I realized that these images weren’t just visual artifacts—they were vessels of human connection. The exhibit wasn’t about putting people on display; it was about elevating their voices, their experiences, and their dignity. And in that, I felt a deep sense of fulfillment as both an artist and as a human being.
I am thankful to all those who agreed to participate, but, above all to Juan Carlos, Monica, Camelia and Monica, who organized the project and supported me along the way.
